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7 min read•june 18, 2024
Riya Patel
Riya Patel
“Chac Mool” is a tale written by Carlos Fuentes in Mexico in 1954, and is part of the literary movement known as “El Boom Latinamericano”, which is known for works that blur the line between the real and the imaginary.
This story tells the tale of Filiberto through the eyes of his friend, who is tasked with going through Filiberto's possessions since our protagonist is dead. Filiberto's friend pieces together the events that led up to his death by reading through his journal. Filiberto is a lonely man with no family or close friends, but he does collect indigenous objects as a hobby. One day, Filiberto's friend Pepe tells him where he can find a statue of Chac Mool, the Mayan god of rain, and assures him that the statue is legit. Filiberto buys the statue and puts it in the basement of his house, but then immediately starts having problems with the water in his house.
His journal gets progressively harder to understand through this portion as he claims the statue comes to life and torments him, leading to the odd behavior his friend had been curious about.
The narrator (Filiberto's friend) thinks that Filiberto is crazy, but when he arrives at Filiberto's house, the person who opens the door matches Chac Mool's description.
Carlos Fuentes is a novelist, short story writer, researcher, and essayist. He was educated internationally as a child, accompanying his father, a Mexican diplomat, to many places, and became very interested in cultures as a result. In "Chac Mool", Fuentes deals with two of his most lasting interests: fantasy and myths. 🔮
During El Boom Latinamericano, there were many political, economic, and social events in Latin America that created a sense of instability in the region. Realismo magico emerged as a way for writers to cope with the sad reality around them by imagining an ideal world through their story, full of fantastical and unreal things.
This story is a key example of the use of realismo magico during El Boom Latinamericano—it blurs the line between real and imaginary and plays with the organization of time within the story through its use of circular storytelling.
There are 3 main characters (personajes) in this story—Filiberto (our protagonist), Chac Mool (the antagonist), and Filiberto’s friend (our narrator).
🎭 Tono - Dramatico: A dramatic and suspenseful tone is used throughout the story, as the Chac Mool transforms into something unrecognizable and Filiberto is helpless to stop it.
Some literary devices you should be familiar with are:
The general theme of transformation is visible as the story progresses: Over the course of time, Filiberto declines mentally as Chac Mool starts to exhibit more human traits and exerts power over Filiberto.
However, it is most evident in Chac Mool’s physical attributes and personality. In the beginning, he exhibited more animistic traits—he would make loud noises at night, show physical anger, and hunt for animals. As he slowly took over Filiberto, he began to exhibit more human traits. He insisted on having his food delivered, rather than hunting for it, and he began to care more about appearance and went through mood swings. In this manner, the spirit of Chac Mool slowly took over Filiberto’s body by the end of the story.
Similarly, Chac Mool is originally described as a stone statue, with red sauce smeared over the belly. However, as the story continues, his physical appearance begins to change, becoming more and more human-like. He loses the stone exterior, and begins to develop the yellow skin of a native and wrinkles on his face. At the very end of the story, when Filiberto’s friend visits Filiberto’s house, the door to the house is opened by a man described as: “A yellow Indian… in a house robe, with a scarf. His appearance couldn’t have been more repulsive; he gave forth an odor of cheap lotion; his face, powdered, trying to cover the wrinkles; he had his lips smeared with badly-applied lipstick, and his hair gave the impression of being dyed“. This description eerily matched that of the original Chac Mool statue, which Filiberto had written about in his diary before his passing.
Many of Carlos Fuentes’ works had underlying themes of Mexican heritage and culture, and this one is no different: The story explores Filiberto’s connection to his country's past, and the influence of indigenous cultures on contemporary Mexican society.
There are many motifs throughout the story that evoke Mexican culture of the past, such as the idea of the ancient gods coming back to life and the relationship between the present and the past. The statue of Chac Mool also serves as a metaphor for Mexico's cultural heritage, and the idea that this heritage is still alive and relevant to contemporary society.
**This story blurs the lines between the real and imaginary by telling the tale of a statue come to life through the eyes of a possessed Filiberto. It is part of a larger group of stories written during El Boom Latinamericano, that are products of the instability present in Latin America at the time. The story also had a significant impact on the magic realist genre, as it was one of the first works to use elements of magic realism to explore themes of cultural identity and heritage. **
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7 min read•june 18, 2024
Riya Patel
Riya Patel
“Chac Mool” is a tale written by Carlos Fuentes in Mexico in 1954, and is part of the literary movement known as “El Boom Latinamericano”, which is known for works that blur the line between the real and the imaginary.
This story tells the tale of Filiberto through the eyes of his friend, who is tasked with going through Filiberto's possessions since our protagonist is dead. Filiberto's friend pieces together the events that led up to his death by reading through his journal. Filiberto is a lonely man with no family or close friends, but he does collect indigenous objects as a hobby. One day, Filiberto's friend Pepe tells him where he can find a statue of Chac Mool, the Mayan god of rain, and assures him that the statue is legit. Filiberto buys the statue and puts it in the basement of his house, but then immediately starts having problems with the water in his house.
His journal gets progressively harder to understand through this portion as he claims the statue comes to life and torments him, leading to the odd behavior his friend had been curious about.
The narrator (Filiberto's friend) thinks that Filiberto is crazy, but when he arrives at Filiberto's house, the person who opens the door matches Chac Mool's description.
Carlos Fuentes is a novelist, short story writer, researcher, and essayist. He was educated internationally as a child, accompanying his father, a Mexican diplomat, to many places, and became very interested in cultures as a result. In "Chac Mool", Fuentes deals with two of his most lasting interests: fantasy and myths. 🔮
During El Boom Latinamericano, there were many political, economic, and social events in Latin America that created a sense of instability in the region. Realismo magico emerged as a way for writers to cope with the sad reality around them by imagining an ideal world through their story, full of fantastical and unreal things.
This story is a key example of the use of realismo magico during El Boom Latinamericano—it blurs the line between real and imaginary and plays with the organization of time within the story through its use of circular storytelling.
There are 3 main characters (personajes) in this story—Filiberto (our protagonist), Chac Mool (the antagonist), and Filiberto’s friend (our narrator).
🎭 Tono - Dramatico: A dramatic and suspenseful tone is used throughout the story, as the Chac Mool transforms into something unrecognizable and Filiberto is helpless to stop it.
Some literary devices you should be familiar with are:
The general theme of transformation is visible as the story progresses: Over the course of time, Filiberto declines mentally as Chac Mool starts to exhibit more human traits and exerts power over Filiberto.
However, it is most evident in Chac Mool’s physical attributes and personality. In the beginning, he exhibited more animistic traits—he would make loud noises at night, show physical anger, and hunt for animals. As he slowly took over Filiberto, he began to exhibit more human traits. He insisted on having his food delivered, rather than hunting for it, and he began to care more about appearance and went through mood swings. In this manner, the spirit of Chac Mool slowly took over Filiberto’s body by the end of the story.
Similarly, Chac Mool is originally described as a stone statue, with red sauce smeared over the belly. However, as the story continues, his physical appearance begins to change, becoming more and more human-like. He loses the stone exterior, and begins to develop the yellow skin of a native and wrinkles on his face. At the very end of the story, when Filiberto’s friend visits Filiberto’s house, the door to the house is opened by a man described as: “A yellow Indian… in a house robe, with a scarf. His appearance couldn’t have been more repulsive; he gave forth an odor of cheap lotion; his face, powdered, trying to cover the wrinkles; he had his lips smeared with badly-applied lipstick, and his hair gave the impression of being dyed“. This description eerily matched that of the original Chac Mool statue, which Filiberto had written about in his diary before his passing.
Many of Carlos Fuentes’ works had underlying themes of Mexican heritage and culture, and this one is no different: The story explores Filiberto’s connection to his country's past, and the influence of indigenous cultures on contemporary Mexican society.
There are many motifs throughout the story that evoke Mexican culture of the past, such as the idea of the ancient gods coming back to life and the relationship between the present and the past. The statue of Chac Mool also serves as a metaphor for Mexico's cultural heritage, and the idea that this heritage is still alive and relevant to contemporary society.
**This story blurs the lines between the real and imaginary by telling the tale of a statue come to life through the eyes of a possessed Filiberto. It is part of a larger group of stories written during El Boom Latinamericano, that are products of the instability present in Latin America at the time. The story also had a significant impact on the magic realist genre, as it was one of the first works to use elements of magic realism to explore themes of cultural identity and heritage. **
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